This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). Are there conventions to indicate a new item in a list? When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. Pull - Halving the amount of light by -1, -2,-3 stops. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. - Maybe I should've mentioned that I was looking into B&W films in this case. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . This is another way to let in less light, to work with daylight conditions a bit easier. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. Thanks, Hamish, for another thoughtful column about another film type. s Color Balance tool to alter the image so that its grey tones appear natural. Woah. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! - It's pretty much exactly like you described, a maximum of 1/1000 and f22. ISO 400. If they dont hurry up with E100 in 120, I might have to though . Rain - ISO 800. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! Earlier or later in the day, you may need to start shooting at ISO 400+. So I wanted to know if Portra 800 was just as flexible. While it is certainly possible to fix the photos taken without the filter using software, the job isnt always simple or fast, as you will discover below. Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. [CDATA[ One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Ive also over and underexposed it a little bit, just to see how well it would respond. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? This particular camera is indeed limited to 1/1000. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? You mention less brilliant colors. Related Post: Pushing Cinestill 800T to 1600, Photos by u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. Yes, you can use ISO 1600 in bright sunlight. I was using an EOS 300 and set the ISO to 800. Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. I love the softness I can get with Kodak Portra 800 shot indoors at low light. ISO for daylight. Thanks. Depending on how persistent the rain is. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. More like well-lit to shadier areas. Not favorite ISO 800 color film, but favorite color film period. What's the difference between a power rail and a signal line? So I have to check if it works. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. Yes, it is. Because of this versatility, Ive shot Kodak Portra 800 in a fairly wide range of shooting circumstances. Unfortunately, there arent many high-speed colour films left in production. I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. The number of distinct words in a sentence. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. They put high(er) speed films . Can you make it work? Ive only just started playing with some high speed color film. New comments cannot be posted and votes cannot be cast. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. Go for one of the disposables above for non-aquatic photo fun. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. As such, I then subsequently didnt shoot Portra 800 for nearly a year. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. How have you found the lomography stuff? This is the equivalent of temporarily adjusting your ISO meter to 400, 200, 100. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. There's nothing inherently incorrect about using 1600-ish speed film outdoors. Privacy Policy. Honestly, I think this is a nearly . Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, Top Rated Gear: KODAK Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, MFR: 1451855. . Reddit and its partners use cookies and similar technologies to provide you with a better experience. Develop it at 400 (+2 Stops) and your photos should come out fine. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. the image data. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. I would expect you to get some bloody stunning results, Julian! Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. @bvy No argument there, I just took the OP's. One of the things that hasn't been mentioned yet is why you select a particular film. I used the reference to create matching colours with adjustments via. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Can you shoot Cinestill 800 at 400? Shooting film on a sunny day? Left circle: a matching frame shot with an 85C warming filter. It single-handedly converts your emulsion to daylight-balanced stock. The software can then use those reference points to automatically colour correct your image. As in, just using shorter shutter-times and higher apertures to not get too much light in. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. Clearly this story is heading in a very specific direction - I . Most film has the latitude to handle a few stops of overexposure. So with most cameras there is a trade-off between noise and overexposure headroom. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. Depends on the application. Want more tips on Cinestill and film photography? In my experience, the filter required no exposure adjustments. I like "being in the now . To be in a forest under the trees you will find high ISOs very useful. In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . Shoot that one at 6400 . The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. I had heard a rumor that Portra 800 was going to be discontinued? I have heard things on the internet that they do harm your film; but in my experience I have never had any issues. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. May 17, 2012. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. Content contributor - become a part of the worlds biggest film and alternative photography community blog. Pushing film needn't result in blocked out shadows and super high contrast. Can be pushed to 3000! Follow . Right. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. shooting film is almost a Zen approach to photography. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. PTIJ Should we be afraid of Artificial Intelligence? Its finicky but not too finicky but you do need to think about exposure more than the others. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. While the clouds certainly didnt make the sun hotter, the light that it gives off after being filtered through the atmosphere appears bluer. Colour saturation was spot on, minimal grain, stacks of sharpness. I bet youve had some cracking results! In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. Photography light calculator. Depending on your camera you might run into shutter speed problems. Got another roll of it heading into the night? The Sunny 16 Method I am old school and just curious about the settings on Film camera. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. ISO 800 film is even faster, but not quite as clear as ISO . Develop and scan on 16K HDR lasergraphic will be cheap per frame. On a cloudless day on open space maybe not as much. Table of Contents show. Never say never eh. "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. I have found Portra 800 pushed one stop is a wonderfully [], [] Portra 800 might well be Hamish Gills favorite color film. In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. Technically, an ISO 800 film would be the safer choice. Kodak TRI-X 400 - shot at EI 3200. Personally, I absolutely love the look of Pan F+, a 50 ISO film. Id really like to see what you do with it looking back, I wish Id known about it sooner. There is a 4-stop difference between the p800 rated at 800, shot at f2.8 @ 1000 vs. p800 rated at 200, shot at f2.8 @ 250! Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. Thanks for contributing an answer to Photography Stack Exchange! To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. Kodak Portra 800 and Lomography 800 are about the only options I could find today. . I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. Low-light settings will have a brighter image than the 100 film speed, but it will appear overexposed on a bright sunny day. rev2023.3.1.43269. For such high ISOs you probably want an with a density of 5 or 6 stops. We and our partners use cookies to Store and/or access information on a device. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. I have no experience with color negative film. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. And the Tri-X 400 single-use camera is one of the best you can buy. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. This just tricks the meter into over exposing the film. What happens if you shoot 800 film at 400? But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I dont really get on with the higher grain and reduced sense of sharpness Ive had out of those sorts of films when Ive shot them in the past. The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). //