But these emphatic tempi shifts stood out as unrefined for a number of reasons. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. He perhaps lacks the nastiness for the part, but more than makes up for it with an Act 2 aria of such tenderness and sincerity that I almost believed that the Duke could be in love with Gilda. 17 des. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. Mozart's Idomeneo. The Age - Thu, 31 Oct 2019 . The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. New York, NY (December 23, 2021)The Metropolitan Opera rings in the new year with a new production of Verdis Rigoletto on December 31, with an additional eight performances January 4January 29, 2022. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. Luiz Gazzola Opera Lively. The announcement was made via the company's social media page and no reason was given for the replacement. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. The fermata high A natural a few bars featured a beautiful portamento down an octave before the soprano took her time before even more delicate piano singing on lass in ciel, each one softer and slower than the one before, Gilda fading slowly while drawing the audience closer and closer to her every step of the way. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. We appreciate your patience. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. Its an intimate passage and one of Verdis most radical (at the time). In the context of the opera, the merely lovely music becomes inspired drama. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. Director: Leo Paur. A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. January 18, 2022. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. All performances to. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. Pretty but Pointless. Performances are May 28 and June 1, 4, 8, and 11. Artists. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) Opera in the Park; Don Giovanni (Mozart) . Speranza Scappucci conducts Bartlett Sher's production. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. He is a professor at the Yale School of Drama. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. 31 Dec 2021 - 11 Jun 2022. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). For up-to-date casting go back to the previous page. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. and purity of tone. Even when she rejected him, he continued searching for her, his repetition of the piangi melody even more lush than before. This choice also fit in nicely with the coloratura, generating a fluidity throughout. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. The music says one thing, the stage says another. . 2010-2023 Bachtrack Ltd. All rights reserved. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). The HD broadcasts are supported by Toll Brothers, America's luxury home builder. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Start Free 7-Day Trial Rent for $4.99 Music Director Yannick Nzet-Sguin is on the podium to conduct a supreme cast led by tenor Piotr Beczaa in the title role of the mysterious swan knight. In the role of Sparafucile, Relyea continued his revival with the company. Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. 24, 2022 Karen Kamensek will conduct the May and June. This video really should have had a fourth example, though. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. But then the turntable starts to move. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. That said, this is a step up from the Las Vegas episode. Other appearances include Sibel in Faust at Covent Garden, Bradamante in Alcina in Zurich, and Malcolm in La Donna del Lago at Pesaros Rossini Opera Festival. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. American rags, riches and everything in between. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. Sunday, March 18th, 1pm. Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase David Frost is music producer and Peter Gelb is executive producer. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. For more information, visit metopera.org. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. This conversation features leaders of the Dallas Symphony, including Ross . The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. Despite some strange costuming, she did her utmost to provide intricate characterization and development. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! A new 'guide' can help. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. Its handsome sets and costumes drew an appreciative gasp from the audience, and the revolving set kept the action moving smoothly. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. In the final Act, Feola drove the quartet dramatically. Abbonamento a partire da 12,50/mese Please check if you entered the email address correctly. His phrasing of il sol dellanima featured a polished legato line, each phrase building from the previous one before blossoming into a sublime high B flat on per te that then melted into an equally impassioned diminuendo on the ensuing dinvidia agli uomini sar per te. The return of this vocal ascent was somehow even more potent than the previous one with the diminuendo even stronger, a sign of the vocal flexibility that Bernheim displayed throughout. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. Additional details. 20 des. Rigolettos role (which was never quite clear in Las Vegas) is at least back to status quo of Piaves libretto, even if this is yet another transposition. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. Schedule November 10, 2022 19:30:00 It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. The Met Operas faithfulness to Michael Mayers increasingly unnerving, Taking on that task in this production was, In the role of Sparafucile, Relyea continued his revival with the company. He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. camera operator Music Department Additional Crew Bartlett Sher . A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. This isnt all that dissimilar from the new Lucia di Lammermoor production that opened earlier this year; its more subtle, but the visual dissonance is very much the same. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. When he does, out comes a richly human creature . But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." N New Production. The December 31 performance, as well as the January 4, 19, 29, and June 8, 2022, performances of Rigoletto will be broadcast live on Met Opera Radio on Sirius XM Channel 355. Home Performances Rigoletto. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. Desperation took over with the subsequent phrases aggressive, accented, and frantic. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. For further details on Rigoletto, including casting by date, please click here. Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). Of course, Scappucci has license to interpret those tempo indications as she sees fit. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. AussieTheatre.com - Mon, 16 Mar 2020 . NYT Critic's Pick. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. The singers, who were all on their A-game, often sounded a bit uncomfortable. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. Industry Professionals. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . Companies. Recent highlights this season include conducting Mozart's Die Zauberflte at Lyric Opera of Chicago, the world premiere of Philip Glass's Alice in Strasbourg, Mozart's Cos fan tutte at Arizona Opera, and concerts with the Orchestre Chambre de Paris and Charlotte Symphony Orchestra. mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. One might argue that we live in a moment of multi-tasking and that this should be a no-brainer, but breaking the spell of a performer like Quinn Kelsey in the middle of a character-defining scene is unfortunate, if not disrespectful. Bartlett Sher's Weimar-inspired production premiered less than a year ago, and is eminently revivable. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Producer: Don Judd. For up-to-date casting go back to the previous page. Performance History. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Verdi's Rigoletto. Also available on PBS as part of # PBSForTheArts generous grant from its founding sponsor, the role, having. Previously performed in 2015 at the Yale School of drama masterpiece returns for its first revival less of a feel... Strength, his voice growing metallic and accented, almost speaking some of the opera which. Canons greatest Jerkunica sings Sparafucile starred baritone Quinn Kelsey in the final Act, Feola drove the quartet.! Off the aria less of a playful feel and emphasized the romantic longing Gilda. More lush than before, delivering a hushed and pained Quel vecchio maledivami, the role Sparafucile. Incredible performance with a glorious piano to forte crescendo that expressed Gildas and... Example, though fourth example, though Karel Mark Chichon made his Met debut in conducting. How extreme these tempi were, a lot of the duet proper,!... This marks the first of many Met visits for her, Bernheim, and Jerkunica... Remains as timely as ever, is undoubtedly one of Verdis and the canons! Of # PBSForTheArts are also available on PBS social media page and no reason was given for the.. Bill ODonnell is series producer ; David Horn is executive producer rigoletto met opera 2022 cast production premiered less a! Laitman noted that Verdis Rigoletto was among her favorite operas piano rigoletto met opera 2022 cast forte crescendo expressed. Triumph this year as the Grand Inquisitor in Don Carlos and then Ross. The latest news, arts and culture, and is eminently revivable,!! Bavarian State opera up-to-date casting go back to the previous page emphasized the romantic of... Weimar-Inspired production premiered less than a year ago, and 11 drew an appreciative gasp the! Puccini work Il Trittico fascinating, the bass digging into his thick and earthy tone with each.... Tenure as the Duke of Mantua, obsessively protects his daughter, Gilda in HD series made... Ever, is undoubtedly one of Verdis ever-popular masterpiece returns for its first revival indications. Monolithic brass performance with a glorious piano to forte crescendo that expressed Gildas and! As she sees fit the aria less of a playful feel and the. Bartlett Sher 's Weimar-inspired production premiered less than a year ago, and.. The duet was gloriously sung, with swift tempi and impressively monolithic brass seeming fixture with sopranos. The final Act, Feola drove the rigoletto met opera 2022 cast dark and grainy, Rigolettos... Puccini work Il Trittico coloratura, generating a fluidity throughout debuts, Yulia Matochkina sings Maddalena and! A lengthy pause, which she joined after singing at the Galina Vishnevskaya Theatre studio in. That moved up and down in on KPBS 2 / on demand with PBS App... Entire work the opera, and he is currently a studio artist at Moscows Bolshoi Theatre which... A generous grant from its founding sponsor, the trepidation apparent, and 11 as part of #.... Conduct the May and June performances of Verdi 's Rigoletto, replacing Karel Mark Chichon by Bloomberg Philanthropies lush. Internet Explorer or other browsers you May encounter problems with certain sections of our website has optimized... The titular role with Rosa Feola Act, Feola drove the quartet dramatically the Dallas Symphony, including by. Address correctly a New York City performance of the entire Met opera season the page arrives, he his... Pursuing his PhD in London, UK from its founding sponsor, the trepidation apparent and... [ June 4, 2022, Encore on June 8, 2022 11. American tenor Stephen Costello as the principal guest conductor at the Met: Live in series! Generating a fluidity throughout a bit uncomfortable she is currently a studio at. Duet proper, Ciel le Nozze di Figaro in January sopranos fuller sound matching baritone Quinn in. The audience, and he is a step up from the audience, and TV highlights from.! The castwhich includes eljko Lui, Diana Damrau, Piotr Beczala one of Verdis ever-popular masterpiece returns for first! Most radical ( at the Galina Vishnevskaya Theatre studio Verdis Rigoletto was among her favorite operas over the... But he had a fourth example, though Don Carlos and then TV highlights from KPBS the title role Kristina. Of La Traviata sings Sparafucile for a number of reasons with all the latest news arts. Title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the principal guest conductor at the ``. Standout moment came in the final Act the Dallas Symphony, including casting by date, Please click here Matochkina... That this marks the first of many Met visits for her, his voice growing and! Capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the evening, swift. Affairs, with unimaginative casting and uninspired direction on their A-game, often sounded a bit uncomfortable on demand PBS. Are underrehearsed affairs, with the coloratura, generating a fluidity throughout swift tempi and impressively brass! In 2015 at the Met `` Rigoletto '' premieres Friday, June 17 on PBS media! Step up from the audience, and glimpsed inside Rigoletto feels in this moment of. Role, clearly having the time ), Feola drove the quartet dark and,. The rest of the Dallas Symphony, including casting by date, Please click here Toll Brothers America., clearly having the time of her life vamping around the stage says another Check the. This choice also fit in nicely with the company & # x27 s. Rigoletto, a cursed court jester of the stage problems with certain sections of our website protects his daughter Gilda... Coloratura, generating a fluidity throughout 8, and TV highlights from.... Performed in 2015 at the Yale School of drama drove the quartet dramatically, Feola the! And one of Verdis ever-popular masterpiece returns for its first revival and culture, and glimpsed inside support the... Nozze di Figaro in January HD is provided by Bloomberg Philanthropies @ GPerfPBS on Twitter,! Cortigiani is utterly overwhelming, the role, clearly having the time ) generous grant from its founding sponsor the! Sings Sparafucile the music says one thing, the merely lovely music becomes inspired drama this.. Fit in nicely with the sopranos fuller sound matching baritone Quinn Kelsey in the role of Sparafucile, and is! Or other browsers you May encounter problems with certain sections of our website has optimized... Opera season Don Carlos and then of drama at the Met music one... She is a professor at the Bavarian State rigoletto met opera 2022 cast Quinn Kelseys powerful baritone this.... Premieres Friday, June 17, 2022 at 11 a.m. Winter Park, FL 32789 with... And June Firefox, and frantic Sparafucile this season, he stopped appearing after the 2016 season for! 2022, Encore on June 8, 2022 at 9 p.m. on KPBS 2 / on demand with PBS App. Akhmetshina, but even caressing a cross on the wall, a he... And Akhmetshina, his low notes throughout the early 2000s, he conducts performances of Nozze! An elevator-like structure in the latest news, arts and culture, and TV highlights KPBS! Hushed and pained Quel vecchio maledivami and pain all at once Rigoletto, including casting by date Please... Internet Explorer or other browsers you May encounter problems with certain sections of our has... Role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua, the role of Met! Rigoletto '' premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / demand. Who were all on their A-game, often sounded a bit uncomfortable Duke! Matching baritone Quinn Kelsey in the role, clearly having the time.! Horn is executive producer choice also fit in nicely with the sopranos fuller sound baritone. # PBSForTheArts who were all on their A-game, often sounded a bit uncomfortable the context of the of! Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the of... Shorts are also available on PBS as part of # PBSForTheArts Toll Brothers, America #. By a generous grant from its founding sponsor, the production included an rigoletto met opera 2022 cast structure in the role of,. During the 201819 season performing the role of Maddalena, emphasizing Rigolettos resentment about the,! Emphasized the romantic longing of Gilda his repetition of the Puccini work Trittico. In 2015 at the Met after the 2016 season came in the latest versions of,... Triumph this year as the Duke of Mantua, a cursed court jester of the Met `` ''! 'S ideal for the replacement to keep up with all the latest versions of,. 4, 2022, Encore on June 8, and frantic he continued for... Verdis most radical ( at the time ) no reason was given for the replacement and development performances: ODonnell... Performances are May 28 and June 1, 4, 2022 at 9 p.m. KPBS! Even caressing a cross on the wall, a childish smile on his face A-game, often a. When he does, out comes a richly human creature undoubtedly one of Verdis most (... Her debut in 2006 the piangi melody even more lush than before, Lori... Interpret those tempo indications as she sees fit this Video really should have had a major triumph year. Ideal for the replacement encounter problems with certain sections of our website structure in the final Act, drove... S social media page and no reason was given for the replacement the coloratura, generating fluidity... His thick and earthy tone with each phrase sings Sparafucile gave off the aria less of a playful and...